art

Zoe

VIDEO PERFORMANCE / TELEFANTE

2007

the psychogeographical world of poet and painter William Blakes is the starting point for the invisible framework of this project. His longest and last project Jerusalem: The Emanation of the Giant Albion tells the genesis with hermetical and alquimistic approach. The concepts and parallels to quantic physics of this story are taken to generate the metaphysical world of this piece
Wolfgang Mitterer, das mollsche gesetz & TELEFANTE
Festival Altstadtherbst Düsseldorf

Realtime Research plays Dreamachines

[DEUTSCH]

Fragmente, gelesen von einer weiblichen und einer männlichen Stimme, schlummern als Audiofiles auf den Desktops vernetzter Rechner. Die RESEARCH Group spielt den fragmentarischen, unbewussten Subtext. Bedeutungsbestimmungen leuchten auf, werden aber überlagert vom neu-babylonischen Fliesstext, der sich aus der Kommunikation der manipulierten Wort-File- Bruchstücke schöpft. Die Sprache wird verklanglicht, der unbewusste Subtext wird visualisiert.

heines sklavenschiff

„Das Sklavenschiff“ by Heinrich Heine is a text that undulates magnificently between grim humor, satire and a merciless social critique and criticism of capitalism. It nevertheless contains extremely soft, lyrical imagery and numerous burlesque scenes. The epic poem form provides a structure of its own, which is interwoven and held in check by the “mollsche” music.
Parts of the music are composed (by Moll, Schubert, Schumann, Skempton, but improvisation repeatedly opens windows into the unforeseeable. The structure provided by das mollsche gesetz serves to keep the overarching dramaturgy intact.

The video artist’s work can be witnessed in its development live on stage and occupies itself with rediscovering myth and aspects of magic in creating images from light and shadow. The technology used for this is a prototype of a Laterna Magica, which not only incorporates analog (foils, drawings…), but also digital imagery. This method gives the video work a handmade touch and an aura-like effect often missing in modern digital productions.

[DEUTSCH]

Heines Sklavenschiff pendelt zwischen bitterboesem Humor, Satire und gnadenloser Sozialkritik und ist doch mitunter von lyrischer Zartheit. Rezitiert von Matthias Scheuring, wird das epische Gedicht verzahnt mit der Musik des Trios das mollsche gesetz, 2004 von Udo Moll als improvisatorisches Forschungsprojekt gegruendet, hat sich zur Regel gemacht, dass kein Stueck laenger dauert als 60 Sekunden / und dass jeweils eine Pause in gleicher Laenge folgt. [—] Parallel dazu schaffen Videokünstler Bildnisse aus Licht und Schatten. So entstehen drei Ausdrucksebenen aus Sprache, Ton und Bild / jede fuer sich autonom, aber gemeinsam sinnfaellig.

In Dreams Death Kingdom

2003

NETBASED VIDEOART

The title of this work came from a verse of T.S. Eliot’s poem, “The Hollow Men” (1925). In Death’s Dream Kingdom has the structure of an audio-visual poem, inspired on the English modernism (experimentalism): dead time without anecdote, collage of realistic pictures with images of the subconscious and a synchronous montage using the technique of simultaneous accumulation of time.
The video was recorded in institutions that house disabled people whose sense of perception is altered. The soundtrack – a combination of silence and minimal sounds – was made out of distorted noises from airplanes’ black boxes, mechanical machines and apparently nonsense monologues.
The network version of this piece uses the nonlinear possibilities of an interactive interface to allow the user/spectator to build up their own reading, their own path and their own version of the work.

http://www.ivan-marino.net/web/openernetscp.htm

MECAD Master Thesis presentation at Metrónom – Barcelona

Thesis presentation at Center of Experimental Arts Metronom in Barcelona of Master in Design Interactive Systems at MECAD’s

2003

Based on Dgiga Vertov’s manifesto Kino Auge , Cine Ojo 2.0 approaches the same idea by using an approach of a generative documentary, where the process of montage is realized by the combination of algorithmic driven movements and the interaction driven by the curiosity of the visitor of the installation.
Metronóm. Centro de Arte Contemporaneo Rafael Tous, Barcelona.
Videobeamer, table, motion capture system, code, 4-Ch Sound-installation.