The idea of traveling, as an activity that includes a geographic translation, implying a gesture as an contemplative gaze. Tras-lado is an artistic performance that plays with the construction and deconstruction of the image and sound of rural and urban landscapes determinate by the trajectory between Bogota and Manizales (Colombia) in order to constitute mediatized geographies and geophonies. The intermedia concert implies a media cartography that generates real-time visual and acoustical layers.
Tras-lado is a collaboration project between the Academy of Media Arts Cologne and Universidad Nacional de Colombia. The travel was conceived by the invitation to the International Festival del la Imagen, Manizalez 2014.
is an intervention in a private forest at Germany-Belgium’s border consisting in custom mades boxes that alludes to the peep show apparatus from the 17th century.
These works were showed as part of the FIELDSITE Project of Achim Mohné‘s and the Seminar Unsite Temporalities at the Academy of Media Arts Cologne in der the border between Germany and Belgium. http://h406.khm.de/?p=173
By installing a high reflective mirror wall in the forest, now the interruption would be in the visual level by creating a repetition of the seen taking reference to the text Foucault’s observations in his publication “Other Spaces” and his thoughts on a idea of heterotopias
radio receivers in tuned in random frequencies an acoustical interruption of the natural surrounding creating a surreal situation.
Fragmente, gelesen von einer weiblichen und einer männlichen Stimme, schlummern als Audiofiles auf den Desktops vernetzter Rechner. Die RESEARCH Group spielt den fragmentarischen, unbewussten Subtext. Bedeutungsbestimmungen leuchten auf, werden aber überlagert vom neu-babylonischen Fliesstext, der sich aus der Kommunikation der manipulierten Wort-File- Bruchstücke schöpft. Die Sprache wird verklanglicht, der unbewusste Subtext wird visualisiert.
Thesis presentation at Center of Experimental Arts Metronom in Barcelona of Master in Design Interactive Systems at MECAD’s
Based on Dgiga Vertov’s manifesto Kino Auge , Cine Ojo 2.0 approaches the same idea by using an approach of a generative documentary, where the process of montage is realized by the combination of algorithmic driven movements and the interaction driven by the curiosity of the visitor of the installation.
Metronóm. Centro de Arte Contemporaneo Rafael Tous, Barcelona.
Videobeamer, table, motion capture system, code, 4-Ch Sound-installation.