audiovisual concert

Unstumm participation at Academy of Media Arts Cologne

Realtime Cinema between Istambul and Cologne

with artists from both cities in cooperation with Akademie der Künste der Welt, Cologne.

As a result of this cooperation we gave a performance  on the 5th September 2015 at the spaces of the Academy of Media Arts Cologne – Germany.

Unstumm
From Istanbul: Sena Basoz (video), Çağdaş Dinç (Video), Korhan Erel (electronic music), Anıl Eraslan (cello).

From Cologne: Nicola Leonard Hein (Gitarre), Angelika Sheridan (flute), Luis Negron van Grieken (video), Mathias Neuenhofer (video).

 

The Longue Duree

Intermedia-Performance with das mollsche gesetz, telefante & Anthony Moore zu Fernand Braudels Text “The Mediterranian in the Ancient World”.

Düsseldorf: Donnerstag 10. September, 20:30 Uhr
Filmwerkstatt /Frischzelle @ düsseldorf festival 2015),
Birkenstraße 47, 40233 Düsseldorf – Eintritt 6/12€

Cologne:  11th September, 20:30 Uhr
Kunsthochschule für Medien, Filzengraben 2, 50676 Köln
- Eintritt frei !

Programm:
TELEFANTE – Luis Negron van Grieken & Juan Orozco (live video manipulation)
das mollsche gesetz – Sebastian Gramss (double bass), Udo Moll (trumpet, electronics), Matthias Muche (trombone)
Anthony Moore (speaker)

Künstlerische Leitung: Matthias Muche
www.zeitkunst.eu 

 

[FOTO] Torsten Schneider

Partner: Kunsthochschule für Medien Köln, Filmwerkstatt Düsseldorf, düsseldorf festival
Gefördert von: Kunststiftung NRW und dem Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen

TRAS-LADO

INTERMEDIA CONCERT / INSTALLATION

2014

The idea of traveling, as an activity that includes a geographic translation, implying a gesture as an contemplative gaze. Tras-lado is an artistic performance that plays with the construction and deconstruction of the image and sound of rural and urban landscapes determinate by the trajectory between Bogota and Manizales (Colombia) in order to constitute mediatized geographies and geophonies. The intermedia concert implies a media cartography that generates real-time visual and acoustical layers.

Tras-lado is a collaboration project between the Academy of Media Arts Cologne and Universidad Nacional de Colombia. The travel was conceived by the invitation to the International Festival del la Imagen, Manizalez 2014.

Protean Territories

2013

Fusing “traditional” acoustic instruments with live-controlled electronics, three composers and instrumentalists, Frank Gratkowski, Academy-Fellow Tim O’Dwyer, and Udo Moll, have created three completely different “hybrid instruments,” which will be presented against a backdrop of video and light. Protean Territories is a multidimensional art event, breaking away from the uniformity and focus of the classical concert space. The concert design is based on shifting video feeds that create different yet complimentary spaces out of light and image.
Premiere: 17th June 2015. New Talents space, Cologne – Germany.

candens lilium

2013

“Medieval instruments and monastic singing form a touching conclusion and at the same time the highlight of the concert series. Together with the Venezuelan light artist Luis Negrón van Grieken, whose entirely material and visible art is always aimed at the invisible, psychic, the traverse flutist Norbert Rodenkirchen and the singers Sabine Lutzenberger and Lydia Brotherton open contemplative spaces. Visitors will experience transcendent sounds and artistic lighting installations by a great artist.”
Curated by Benedict Hecht und Georg Dietzler
Sabine Lutzenberger, Voice. Lydia Brotherto, Voice. Norvert Rodenkirchen, Old Flute, Arph. 
Luis Negrón van Grieken – Light / Space

ocultar – disfrazar – disimular

Video – Performance

2012

“One hides what you do not want it to be seen, one conceals the obvious, one disguises himself what he wants to be perceived as something other that what it is. To hide by silence, conceals actions, disguised by words. It is revealed by behaviour, or in the speech. Arguably dissimulation is a lie in action…”

In a 45 minute performance the whole space of mapa teatro is converted into a encyclopedical flow of references without any logic of order and accumulation and interference becomes the protagonist of a journey through TELEFANTE’s archive from the last years.
October the 4th, 2012, Mapa Teatro, Bogotá Colombia.
Sound: Andres Jurado

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2012ocultardisfrazardisimularMapaTeatroTelefante

{ñ} an oracle-based composition for a(n) (empty) page

Video

VIDEO PERFORMANCE/ TELEFANTE

2009

{ñ} is a video concert divided in three parts each one subdivided in different sections which propose to rewrite (in a poetic and metaphorical way) „Diderot & D‘Alambert‘s Encyclopedia“ written in the XVII century and which is one of the most important works of French enlightenment.
{ñ} is located at the intersection of two couples of concepts. The first one related to an intimate approach: photography as selection and also as experimental activity (the laboratory). The second more public related to theater and phantasmagoria.
{ñ} wants to works mainly with the more than 2000 plates that accompany the Encyclopedia. We believe that the plates/illustrations are not mere supplement to the written explanations, but an important and outstanding part of the whole project of the Encyclopedia.

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tientos y lucientes

av concert with realtime video custom software, 2 video projectors

2010

17th century spanish harpsichord music married to live-sampling madness, improvisation and Goya´s sinister caprichos.
video custom software, 2 video projectors, custom-screens
January 8th, 2010. Kunst-Station St. Peter – Cologne
with : leon berben-harpsichord
udo moll trumpet&electronics
matti muche trombone
sebastian gramss double bass
ivo bol electronics
luis negron van grieken realtime video
Video installation with realtime

[DEUTSCH] Musik von Juan Bautista Cabanilles, Antonio de Cabezon & Udo Moll Videoarbeit zu den Caprichos von Francisco de Goya y Lucientes Das transmediale Projekt Tientos y Lucientes schafft eine neue Perspektive auf zeitgenössische Musik, indem es sich zwar klar auf historische Vorlagen bezieht, diese aber aus ihrem ursprünglichen Kontext löst und sie damit verfügbar macht als Kristallisationspunkte und Inspirationsquellen für neue Kompositionen, für elektronisch manipulierte Annäherungen und Improvisationen. Zusammen mit dem Cembalisten Leon Berben, dem live-sampling-Spezialisten Ivo Bol und dem Videokünstler Luis Negron werden die leidenschaftlichen Improvisatoren des mollschen gesetzes, ausgehend von spanischer Cembalomusik des 17. Jahrhunderts, einen goyaesk-dunkel leuchtenden Abend kreieren zwischen historischer Aufführungspraxis und aktuellster Soundtechnologie, eine fantastische Reflexion über das Neue im Alten, die Flüchtigkeit des Authentischen und den Schlaf der Vernunft.

Zoe

VIDEO PERFORMANCE / TELEFANTE

2007

the psychogeographical world of poet and painter William Blakes is the starting point for the invisible framework of this project. His longest and last project Jerusalem: The Emanation of the Giant Albion tells the genesis with hermetical and alquimistic approach. The concepts and parallels to quantic physics of this story are taken to generate the metaphysical world of this piece
Wolfgang Mitterer, das mollsche gesetz & TELEFANTE
Festival Altstadtherbst Düsseldorf